"但愿深沉的内疚永远纠缠在你心底, 愿你在这个世界上心灵永远不得安宁."

 

 

 

 

玩纸牌游戏的现代人, 有多少人会想到纸牌的四种花色 — 红桃 黑桃 方块 梅花 是与圣杯(∨)有关的符号

并且它们的前身, 直接脱胎于占卜纸牌, 即印有金杯 宝剑 五角星 王杖符号的四组牌

 

红桃♥源自金杯 --- 即基督的圣餐酒杯, 代表着女性

黑桃♠源自宝剑 --- 即剑刃, 它代表着男性

方块◆源自五角星 --- 它象征着女神, 即神圣的女性

梅花♣源自王杖 --- 即皇家血统, 带有花饰的权杖

                                                                                                                                ----    摘自 <<达. 芬奇密码>>

 

 

 

 

人有三样东西是无法隐藏的, 咳嗽,  贫穷和爱; 你想隐藏, 却欲盖弥彰.

真烂... 还不如做某人的猫 舒服多些. 就象理所当然一样. 吃着她的鱼.

有那么多时间去睡去吃去抓沙发... 不用担心这个 算计那个 还不长个.

何必呢 既然你活的那么累, 那干脆死了算了. 什么? 我? 我.. 还没活够

 

Speaking from the tongue of an experienced simpleton who obviously would rather be an emasculated, infantile complaind. This note should be pretty easy to understand.All the warnings from the Punk Rock 101 Courses over the years, it's my first introduction to the, shall we say ethics involved with independence and the embracement of your community has been proven to be very true. I haven't felt the excitement of listening to, as well as creating music, along with really writing something for too many years now. I feel guilty beyond words about these things,for example when we're backstage and the lights go out and the manic roar of the crowd begins. It doesn't affect me in the way which it did for Freddie Mercury, who seemed to love and relish the love and admiration from the crowd,which is something I totally admire and envy.

The fact is,I can't fool you, any of you. It simply isn't fair to you,or to me. The worst crime can think of would be to pull people off by faking it, pretending as if I'm having one 100% fun.

Sometimes I feeln as though I should have a punch-in time clock before I walk out on-stage. I've tried everything within my power to appreciate it, and I do,God believe me, I do, but it's not enough. I appreciate the fact that I, and we, have affected, and entertained a lot of people. I must be one of the narcisists who only appreciate things when they're alone. I'm too sensitive,I need to be slightly numb in order to regain the enthusiasm.But, what's sad is our child. On our last three tours, I've had a much better appreciation of all the people I've known personally, and as fans of our music. But I still can't get out the frustration, the guilt, and the sympathy I have for everybody. There is good in all of us, and I simply love people too much. So much that it makes me feel too fucking sad. The sad little sensitive unappreciative pisces Jesus man! why don't you just enjoy it? I dont know!

I have a of a wide who sweats ambition and empadny,and a daughter who reminds me to much of what I use to be.full of love and joy, every person she meets because everyone is good and will do her no harm. And that terrifies me to the point to where I can barely function. I cant stand the thought of Frances becoming the miserable self destructive, deathrocker she become.

I have it good, very good,and I'm grateful, but since the age of seven, I've become hateful towards all humans in general. Only because it seems so easy for people to get along and have empathy. Empathy only because I love and feel for people too much I guess.Thank you from the pit of my burning nauseas stomach for your letters and concern during the last years. I'm too much of a neurotic moody person and I don't have the passion anymore,so remember, it's better to burn out, than fade away.

Peace, love, empathy,
Kurt Cobain Frances and Courtney,
I'll be at your altar.
Please keep going Courtney for Frances for her life which will be so much

happier without me.
I LOVE YOU. I LOVE YOU!

 

 

ねぇ、マリモ　どうしてなの       喂，毛毛 请告诉我为什么

私とはじめて会ったとき       我第一次见你的时候

 

あんなに小さかったのに       妳是那麼的小

あんなに小さかったのに       妳是那麼的小

こわれてしまいそうだったのに       你看起来很柔弱

泣虫の妹だと思いってたのに       我当你是我爱哭的妹妹

ぜんぜん年下だったのに       你比我小那么多

甘えんぼうだったのに       那么爱撒娇

私より後に生まれたのに       比我迟出生那么多

 

 

どうして       为什么

 

どうして私より       为什么会比我...

私より先に年をとるの       为什么会比我早長大

 

ねぇ、どうして       告诉我，为什么

どうしていじわるするの       为什么这么喜欢惡作劇

どうして服やぶいちゃうの       为什么要咬破我的衣服

どうしてくつをかくすの       为什么要把我的鞋子藏起來

どうして先に行っちゃうの       为什么要走在我前头

待ってよ、マリモ       等等啊，毛毛

なにをいそいでるの       妳在急什麼啊

どうして私より先にお母さんになるの       為什麼比我先了當媽媽

私はいつまでも子供なの       当我還一直是个孩子

何もわからないよ       我一點也不不明

何もわからないよ       我不明白

何もわからないよ       我真的不明白

もっとマリモのこと知りたいのに       我好想了解你多一些

どうして私より       妳為什麼比我...

先におばあさんになるの       妳為什麼比我先變成老婆婆

どうして私より       為什麼比我...

 

 

どうして       為什麼

どうして       為什麼

どうして       為什麼

 

どうして       為什麼

 

どうして       為什麼

 

どうして       為什麼

 

どうして       為什麼

 

どうして       為什麼

 

 

犬なんて飼ったんだろう       為什麼我要養狗

 

飼いたいってもったんだろう       為什麼我以前要說想養狗呢

 

 

どうして       為什麼

 

 

こんなに　こんなに       為什麼是這样

悲しい思いをするのに       这样的悲傷

マリモ　ひどいよ       毛毛，妳太差勁了

マリモなんかキライ       毛毛，我討厭妳

 

犬なんて       狗...

犬なんて       狗...

 

犬なんて飼わなければよかった       但愿我从来没养过狗

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ねぇ、マリモ　　　　　喂 毛毛

     私　　　　　　     我...

 

私、また犬か飼いたい　　我还想再养狗

 

 

... ...

 

 

 

 

 

 

 

 

 

 

 

况日本鬼子固然除去善于淫巧,长于用短之外，似乎再无是处.可是古云：愚者千虑必有一得。彼辈挟亿愚之众，千亿之虑，亦不世而出英才--芥川龙之介也，三岛由纪夫也，伊藤润二也，伊头鬼作也，杀手阿一也，山村贞子也，桂正和也，北野武也，而此辈尽第二流之高者。第一流的白石绝色独立，妍皮不裹痴骨，不更胜彼一筹耶？庾信咏曰：白石仙人芋，青林隐士松。信乎其然也。白石静女其姝，坐而巧笑。遐观则玉山将崩，迩睹则眉目含情。灵石化形降于尘凡，与那"不肯修升天之道"的白石先生（神仙传卷二）不正有异曲同功之韵吗？或许今天白石真的已然羽化而去，可她终究留下了许多缘份。在这些许的缘念之中，她断不能料想的到竟还有人与她隔海相望一同叹息过，当她如清风月影般逝去，斯人亦身处冠盖京华，隐机而作，仰天而嘘。倘若使她知道，她一定便会又露出瓠樨般的虎牙，粘粘的笑了吧？于戏，世事变幻白云苍狗，非白石之与,其谁与哉？

 

 

 

 

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　侧过头望去

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　我的身后爬满

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　盛开鲜花

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　就在我身旁

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　在空气中

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　扑鼻芬芳

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　我不知道这些花儿

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　叫什么名字

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　因为此刻

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　我的花园已不存在

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　站在门廊 穿短裤 

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　雨中汽车闪烁灯光...

 

Author: NIRVANA

Title: Nevermind

Year: 1991

Kind: grunge

Label: Geffen

 

 

Nirvana is al they according to disc, after the promising debut of "Bleach" for the label Indian Sub POP Supported gives already asserts colleagues to you Sonic Youth, enters nell' orbit della Geffen, in flood was grunge. After two years from "Bleach", Kurt Cobain, Krist Novoselic and Dave Grohl (become in the meantime fixed drummer of the band) give to the press "Nevermind". An hour of simple pieces technically, transforms to you in capolavori of the rock from the tremolante, rauca and afraid voice of Cobain. It cannot be said that Nirvana is of the optimal musicians, but that renders still more difficult to explain because they have had much happening. The feelings that this disc offers to the listener that immedesimi in the anger of Cobain they are impossible to write. We said, the four agreements of "Smells Like Teen Spirit". Four agreements, exactly, but vomita you in a turbulent vent that the rullate ones of Grohl support in perfect way. Alternating itself of the strofa, melodica, to ritornello a symbol of the generational calvary of the first years 90 ("With the lights out it' s less dangerous/ Here we to are now, entertain us/ feel stupid and contagious/ the Here we to are now, entertain us/ To mulatto/ An albino To mosquito/ My Libido") constitutes one of the more moving points of the album. The text is nearly non-sense, but by now it does not import what says Cobain, imports as it says it. Finally, the assolo, that it embroiders the melodica line of the voice, played indeed with heart.

 

If it is remained upset from the cyclone "Smells Like Teen Spirit", after least moments of truce it begins an other capolavoro: "In Bloom". Tremendous, fantastic. The first words, mormorate on a turn of low depressed laconico and, are the better rappresentazione of the uneasiness than Cobain ("Sell the kids for food/ weather changes moods/ Spring is to here again/ reproductive glands"). And then the assolo acidissimo, and the ritornello, with that urlo that it introduces one melodia simple, memorizzabile and nearly epica. 

 

But the pain is not alone anger. To remember it to us it is "Come As You Are", melancholic depression with a bottom turn that is already legend. The mania of Cobain to come to an agreement the instruments average tone under the normal scale finds one here valid explanation: it seems nothing, but the piece straniante sound like not never. It is reached therefore, between a feedback and an other, to "Breed": piece loaded with adrenalin, the battery of Grohl remembers one schiacciasassi! To jump on the bed is nearly of obligation. Between urla and schitarrate of inspiration punk, "Breed" accompanies us towards "Lithium", goddesses pieces more than succeeded dell' album (that it has sold 10 million copies). "Lithium" is nearly a mix between the melodie of "Come As You Are" and the ritornelli rabid of "In Bloom", a piece that it has had (and) large has happened above all between fan the more young people of Nirvana, so-called "Generation X", than with the time has reduced the figure of Cobain to feticcio and symbol to expose on flags and t-shirt, often ignoring its message of uneasiness, expressed in its purity in "Polly". "Polly" is the most banal piece, a simple turn of agreements on acoustic guitar, but the decisive force of the voice of Cobain is felt here. The piece is nearly cantautorale, and the great infuences of crooner the American ones in the musical formation of Kurt are noticed here. Nirvana will render homage to bluesman the Leadbelly in their concert "MTV Unplugged in New York" with one terrifying version of "Where Did You Sleep Last Night".

 

 

It is arrived to "Stay Away". Other great piece, than could be defined "from pogo", if never it had only been played from the alive one. Here Grohl gives the best of himself. It is approached to us the end, introduced from "On To Plain". To the end of this last one there are of complains that preludono to the last trace, immense. We are arrives to you. Two notes, one acoustic guitar, nient' other. "Something In The Way". Difficult to describe this song. Creed that the text, that I consider to its way a poetry, can speak alone: "Underneath the bridge/ The tarp has sprung to leak/ And the animals I' ve trapped/ Have all become my pets/ And I' m living off of grass/ And the drippings from the ceiling/ But it' s ok to eat fish/ Causes they haven' t any feelings/ Something in the way".

 

 

The disc is ended. But it is difficult to believe it truly, many are the emotions that remain. Not creed at all that "Nevermind" is "a dated" disc, like someone defines it. And not creed neanche that the merits of Nirvana must be sminuiti because of their mercificazione and the reduction of the figure of Cobain to idolo generational. It is difficult to analyze the work of the band extracting it from the mitizzante context that the suicide of Kurt Cobain has contributed to make to create from the industry of the disc. But to listen to "Nevermind" without having in the orecchie chiacchiere of that wheel today around to Nirvana can still make to discover strong feelings to listeners gets passionate you of "physical music".